Photography Planning
~ Who will you be using as your models for each photograph?
For my magazine's photographs, particularly the front cover, I must represent two distinct social groups. One way this can be done is by having 2 different genders. As I have to reach a 16-25-year-old audience, my models should be within this age range so the viewers are more enticed into the magazine and its focus on young people's style.
Once I have selected my two models of choice, we will do some sample photographs so I can get comfortable with directing photos, understand the techniques I need to use, and how I want my models to perform on camera. This is a good idea as I can get many trial shots that I can take elements from when it comes to shooting my final photos for both my print magazine and website.
My models have different social groups as January's model is a transgender male, while the two February models are male and female.
"Threads of Resistance" - Why fashion is important for trans rights
For my January 2026 issue, my model will be my friend Elijah who is an FTM transgender person. As a trans person, he is obviously passionate about trans rights which is why I created this main coverline for the January 2026 issue as it links style/fashion with this cultural/political movement. As this is the first issue of 'The OUTlier', I want to show the audience that we are style conscious while simultaneously caring about cultural/political issues involving transgender youth.
"Til' Death Do Us Part" - Matching statement pieces for alt couples
For my February 2026, there will be two models to fit with the mention of couples in the main coverline, as February is the month of Valentines day. The two models in question will be me and my boyfriend Josh. This is suitable because if I selected 2 random models who are not actually a couple, the photoshoot will be unrealistic and possibly awkward to do for the 2 models. Another issue is that I mention the idea of 'matching', so choosing 2 models that do not go together would be rather foolish to do.
Miscellaneous (contents page, website)
In between my front cover shoots, I will be working on miscellaneous photographs which do not appear on the front cover.
These photographs will be made to have ancourage with some of the other articles in my content creation plan. For example, I may accompany my "Layering Tips" article with photos of winter clothes,
~ What thought needs to be given to the following elements of mise-en-scene?
Location - My two magazine front covers must each be set in two different locations, the easiest way to do this would be to do one outdoors and the other in an indoor setting. Any photoshoots that take place outdoors must be done in colder weather to be more appropriate for the magazine's release in January.
January: Take place in an indoor setting. Elijah's front coverline focuses on trans rights and the way this political movement ties into fashion. Placing him in an indoor setting will ensure that the weather does not disrupt the photoshoot, such as being too cold or raining
February: Takes place in an outdoor setting. I must do two different locations for each issue of my magazine, so the next obvious choice would be to photograph the 2 models outside. To tie in with the colder season and to not take attention away from the models, this will be a neutral outdoor setting such as a park or forest. This is neutral as I am not intending to make a photoshoot in a sunny environment because it is not appropriate for the season, nor will it match with my other elements of mise-en-scene
Costume - As I am producing a fashion magazine, I would say this is the most important element of mise-en-scene and one I will spend the most time focusing on. As my magazine promotes self-expression and individuality in fashion, I will ask my models to wear something that is appropriate for colder weather while aligning with their personal style. I aim to dismantle the mainstream ideas of fashion which is present in other Condé Nast publications.January: I will direct Elijah to wear something appropriate for my magazine's theme while being warm and comfortable in what he is wearing. He may embrace parts of transgender fashion by wearing a binder (which is realistic as he wears one regularly) and by embracing trans rights and the pride movement as a whole by wearing pride flagsFebruary:
Props - Any props that I choose to add to must not take away from other more important elements of mise-en-scene, such as the costume. They will be simple and I aim to make them match with other parts of mise-en-scene so nothing looks out of place and not intentional.January: I will choose an indoor setting that is a comfortable environment for the model, such as his room. This room may have items inside it that I could use as props, which I can pick out as the director. However, this element of mise-en-scene must not take attention away from the model himself or the costume since my magazine focuses on style. To combat this, I could alternatively put Elijah into a plain backdrop with props inside itFebruary:
Body Language - For style magazine photoshoots, models typically look confident and comfortable. I will use the same techniques as well as part of self expression is being confident in who you are. As my 16-25-year-old audience may not see anything relatable or inspiring in most Condé Nast brands that exist currently, I want the models in my magazine to send this message to them and be like role models.January: To go along with the message that the magazine is advocating for trans rights in the main coverline, I will direct Elijah to show confident body language which suggests that he is comfortable in his identity. If he appears insecure and not confident instead, the intended message will not land with my audience and he could be seen as a bad modelFebruary:
Lighting - For any outdoor shots, I would like to have lighting be as natural as possible to reflect real life in my images as much as possible. However, both indoor and outdoor lighting heavily depends on the weather and time so it must be planned ahead so I can take pictures as efficiently as I can.January: I aim for the lighting to be as natural as possible so the environment is as realistic as possible. With an article focusing on an issue as large as trans rights, I don't want to portray unrealistic standards through the photoshoot that aren't reflective of real lifeFebruary:
~ Who will be taking your photographs and what equipment will they use?
I plan to take my own photographs. This is because I am rather keen on photography and I will know exactly what I want as the producer and director. If I did plan to have someone else do the photography for me, I would worry that they wouldn't execute the photoshoots as well as I wanted to -- many photoshoots for style magazine are well thought out and high quality which I want to reflect as much as possible throughout my magazine. In terms of equipment, my desired results can be achieved by using my phone to take many high quality pictures, and editing them in post-production if I deem it necessary. I will, with no hesitation, use more advanced equipment for photography such as lighting setups and cameras if they are available to me. However, this equipment is expensive and really not necessary to make decent photographs especially with the advanced nature of modern smartphones.
